Jazz harmony

Results: 79



#Item
11MAKING YOUR LINES SOUND MORE LIKE JAZZ! BY ALISDAIR MACRAE BIRCH One of the common questions asked by jazz guitar students is, “How do I make my lines sound more like jazz?” or “Why do my improvised lines sound lik

MAKING YOUR LINES SOUND MORE LIKE JAZZ! BY ALISDAIR MACRAE BIRCH One of the common questions asked by jazz guitar students is, “How do I make my lines sound more like jazz?” or “Why do my improvised lines sound lik

Add to Reading List

Source URL: www.alisdair.com

Language: English - Date: 2006-08-21 13:22:21
12

PDF Document

Add to Reading List

Source URL: www.bruckneruni.at

Language: English - Date: 2009-03-31 04:26:50
13Impro-Visor Leadsheet Notation Bob Keller Harvey Mudd College 5 October 2005 Introduction A leadsheet is a musical composition represented by a chord progression and a melody

Impro-Visor Leadsheet Notation Bob Keller Harvey Mudd College 5 October 2005 Introduction A leadsheet is a musical composition represented by a chord progression and a melody

Add to Reading List

Source URL: www.cs.hmc.edu

Language: English - Date: 2005-11-03 03:38:11
14MT03 Art of improvisation.indd

MT03 Art of improvisation.indd

Add to Reading List

Source URL: www.musiced.co.uk

Language: English - Date: 2013-04-17 04:41:43
15“This isn’t just normal ‘piano lessons’ in the natural sense of the word…it’s like backing up a railroad car and raiding the w

“This isn’t just normal ‘piano lessons’ in the natural sense of the word…it’s like backing up a railroad car and raiding the w

Add to Reading List

Source URL: www.playpiano.com

Language: English - Date: 2004-09-03 17:12:42
16How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 Revised 4 September 2012 There are different forms of jazz improvisation. For example, in “free improvisation”, the

How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 Revised 4 September 2012 There are different forms of jazz improvisation. For example, in “free improvisation”, the

Add to Reading List

Source URL: www.cs.hmc.edu

Language: English - Date: 2012-09-05 12:35:35
17RESEARCHER – LIAISON CONNECTION  GLOBAL OVERVIEW Researcher & Liaison Connection

RESEARCHER – LIAISON CONNECTION GLOBAL OVERVIEW Researcher & Liaison Connection

Add to Reading List

Source URL: www.its.utmb.edu

Language: English - Date: 2012-07-31 14:13:11
18300.scht-ibp-cover:300.scht/ibp/cover

300.scht-ibp-cover:300.scht/ibp/cover

Add to Reading List

Source URL: www.schott-music.com

Language: English - Date: 2014-01-30 08:14:45
19Jazz Walking Bass Blues in F All of the following exercises are based on typical 12 bar jazz blues in the key of F : F7 | Bb7 | F7 | % | Bb7 | % | F7 | D7 | Gm7 | C7 | F7 D7 | Gm7 C7 | This first exercise shows a walking

Jazz Walking Bass Blues in F All of the following exercises are based on typical 12 bar jazz blues in the key of F : F7 | Bb7 | F7 | % | Bb7 | % | F7 | D7 | Gm7 | C7 | F7 D7 | Gm7 C7 | This first exercise shows a walking

Add to Reading List

Source URL: www.alunvaughan.com

Language: English - Date: 2006-01-07 10:39:16
20Jazz Walking Bass Rhythm Changes A lot of jazz tunes have been written by putting a new melody of an existing chord progression. Two of the most popular progressions are the blues and the changes from George Gershwin’s

Jazz Walking Bass Rhythm Changes A lot of jazz tunes have been written by putting a new melody of an existing chord progression. Two of the most popular progressions are the blues and the changes from George Gershwin’s

Add to Reading List

Source URL: www.alunvaughan.com

Language: English - Date: 2006-01-07 10:39:15